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Most anticipated is an extended cut of a classic: “ All Too Well,” a Red track with an outsize presence in Swift lore.Ī slow-burn account of sunsetting love, long since codified as an exemplar of Swiftian storytelling, the original version of “All Too Well” was the product of Swift and co-writer Liz Rose’s extensive edits to a 10-minute demo. Some of it is new only in the sense of being newly attached to this album or newly reclaimed by Taylor: “Ronan” was a one-off charity single in 2012 Little Big Town recorded “Better Man,” a stolen rearview glance on the drive away from toxic love, in 2016 and the venom-laced air kiss “Babe” was released by the country duo Sugarland in 2018. But the real draw for her main audience, who already know Red like the back of their hands, is the new material. If you haven’t listened to Red, recently or ever, it’s well worth your time in its ecstatic, expressive vocals, tart humor, vivid imagery, and tender attention to the nuances of love and loss, you’ll find everything that makes Taylor Swift great. A notable exception to this trend of sameness is the bonus track “Girl at Home,” formerly a prim, strummy ode to girl code, freshly remade with producer Elvira Anderfjärd (a Max Martin signee) as a burbling, bottom-heavy synth-pop joint. Various instruments are slightly louder or quieter in the mix a note or two might have been tweaked in the melody of “Sad Beautiful Tragic” the “wee-ee”s on “We Are Never Ever Getting Back Together” are even more cloying than before. Hunting for subtle differences between the old and the new feels like a game of Where’s Waldo?, and sometimes just a test of headphone fidelity. Like Fearless (Taylor’s Version), the first of Swift’s re-recordings to be released, Red (Taylor’s Version) stays true to the original. (“Message in a Bottle,” the first song Swift wrote with the pair, is among Red (Taylor’s Version)’s new offerings its abundant polish nearly makes up for its dearth of personality.) Red was also where she began to seek source material beyond her own biography the character studies (of Ethel Kennedy on the lightly ditzy “Starlight” of a Joni Mitchell-esque elder on “The Lucky One” of a mother who loses her young son to cancer on vault track “Ronan”) point in the direction of folklore, where, years later, the gulf between Swift and her narrators would widen. After a three-album progression away from country, she revealed the extent of her pop ambition, calling in producers Max Martin and Shellback-Swedish heavy-hitters who had sent Britney Spears and P!nk up the charts-to cue the synths and drop the bass. Originally released in 2012, Red was the clear nexus between where Swift’s career started and where it was heading. Leave it to Taylor to turn a business maneuver into a sweeping mid-career retrospective leave it to Swifties to receive the songs, the merch, and the short film as gifts, glimpses into their idol’s secret history handed down as rewards for their devotion.
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Is Red (Taylor’s Version) really trying to exist anywhere else? The second of six albums that Swift is remaking from scratch to regain financial and legal control of her catalog, it’s built on the well-founded belief that her fandom will consume anything spun by her hands-even lightly retouched versions of songs that came out less than a decade ago, plus a fistful of contemporaneous unreleased tracks for good measure. Some extra exceptional features include touch controls, ergonomic fit, IPX5 rated.This is the Swiftiverse. Each iSwift is ready to run for up to 5 hours on its own battery and up to 40 hours on its charging case.
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Furthermore, this ensures reducing power consumption as much as 50%.Īdditionally, bespoke 13 mm oversize graphene-coated dynamic driver, cVc 8.0 Noise Cancellation for clear voice calls, supports both AAC and aptX codec for high-quality audio streaming are extra features. Also, it affords a truly seamless and rapid switch between two earbuds.
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ISwift further boasts Qualcomm 3040 Bluetooth 5.2 chip featuring Qualcomm TrueWireless Mirroring Technology. Additionally, at the end of the docking station headphones are inserted into the grooves and are fixed with magnets. Moreover, the TWS earbuds, iSwift look pretty damn sleek despite it having the stem design. ISwift does not have a lid, therefore, the iSwift earbuds received a convenient flat charging case. If you don't have a discount code? Don't forget to contact us.įeatures: Call function Support music Voice control Power display Headset material: Plastic.For more products that are not available on the page, send us a message.